A review of the Japanese director’s earlier works examining the effect that the machinations of Asian mafias have on normal people, the police and each other.
A little sci-fi flick that explains why we’re currently feening for a Hawke.
Completely over the top, but the cracking pace and fun performances should keep you onside until the final note.
Murder she wrote.
A world of realism, origami crabs, sub-Saharan beats and moon men.
The Congress sees Waltz With Bashir director Ari Folman move away from the more harrowing subject of the war in Lebanon, and turn his gaze on Hollywood.
The house of eternal happiness has taken the opportunity to turn an old Beauty on its head and give us a tale unlike anything we’ve known.
Brian Singer’s Marvel-ous mutants return
After the success of his first feature film (Monsters), which saw an alien invasion throughout the American border, Gareth Edwards is back with a bigger budget, and an even bigger monster.
Our review of Captain America: The Winter Soldier is here, and we think it’s Marvel’s strongest foray since The Avengers.
Find out how Martin got on at Sheffield Doc/Fest this year in our final festival round-up…
A strong opening few days for the festival.
Get tickets before they sell out!
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